Abstract
Argues against the proposal made by Ed Folsom in the Spring 1994 issue of the Walt Whitman Quarterly Review (and in Breaking Bounds: Whitman and American Cultural Studies) that Thomas Eakins' nude photographs of an old man are of Whitman.
How to Cite:
Homer, W. I., (1997) “Whitman, Eakins, and the Naked Truth”, Walt Whitman Quarterly Review 15(1), 29-30. doi: https://doi.org/10.13008/2153-3695.1547
Rights: Copyright © 1997 William Innes Homer
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