2026-03-06T08:54:02Z https://pubs.lib.uiowa.edu/wwqr/api/oai/

oai:wwqr:id:34995 2025-12-11T13:56:00Z

Walt Whitman: A Current Bibliography, Winter/Spring 2025 Walt Whitman: A Current Bibliography, Winter/Spring 2025 Folsom, Ed Walt Whitman: A Current Bibliography, Winter/Spring 2025 2025-12-11T13:56:00Z info:eu-repo/semantics/article 42 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.34995 https://doi.org/10.17077/0737-0679.34995 https://pubs.lib.uiowa.edu/wwqr/article/id/34995/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 211-217

oai:wwqr:id:31127 2025-12-11T13:54:00Z

Christopher Sten and Tyler Hoffman, eds. “This Mighty Convulsion”: Whitman and Melville Write the Civil War Christopher Sten and Tyler Hoffman, eds. “This Mighty Convulsion”: Whitman and Melville Write the Civil War Franklin, Kelly Scott Review of Christopher Sten and Tyler Hoffman, eds. “This Mighty Convulsion”: Whitman and Melville Write the Civil War. Iowa City: University of Iowa Press, 2019. 264 pp. 2025-12-11T13:54:00Z info:eu-repo/semantics/article 42 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31127 https://doi.org/10.17077/0737-0679.31127 https://pubs.lib.uiowa.edu/wwqr/article/id/31127/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 204-210

oai:wwqr:id:34889 2025-12-11T13:51:00Z

“Important Questions in Brooklyn:” Walt Whitman’s Earliest Known Contribution to the New York Times “Important Questions in Brooklyn:” Walt Whitman’s Earliest Known Contribution to the New York Times Blalock, Stephanie M. This essay continues the effort to unearth Whitman’s correspondence in newspapers and highlights the recovery of a letter he wrote to the editor of the New-York Times that was published in the March 25, 1859 issue of the paper.This research includes historical and biographical context for the letter, as well as manuscript evidence of the poet-journalist’s authorship and revision of it. Appearing under the title “Important Questions in Brooklyn,” which Whitman seems to have provided, the letter centered on a surprising topic: the construction and management of Brooklyn’s in-progress waterworks and bore the signature of “CIVIS.” The recovery of this letter to the editor of the New-York Times is particularly significant as it is one of Whitman’s earliest known contributions to the paper. Henry Jarvis Raymond, a co-founder of the paper, was its editor at the time of Whitman’s contribution. The letter was published in the Times a little over a year before Whitman’s poem “The Errand-Bearers” (June 27, 1860), and it also predated by four years “The Great Army of the Sick,” the first of his articles for the Times chronicling his experiences as a volunteer in the Civil War hospitals of Washington, D.C. 2025-12-11T13:51:00Z info:eu-repo/semantics/article 42 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.34889 https://doi.org/10.17077/0737-0679.34889 https://pubs.lib.uiowa.edu/wwqr/article/id/34889/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 185-203

oai:wwqr:id:33796 2025-12-11T13:48:00Z

“But if I could see your face – if I could hear your voice!”: A Neglected Case of Transatlantic Whitman-Worship “But if I could see your face – if I could hear your voice!”: A Neglected Case of Transatlantic Whitman-Worship Sheppard, Darren James The Walt Whitman Archive contains a rarely discussed letter to Whitman written in 1888 from the little-known British poet Charles William Dalmon (1862-1938). It opens the door to a neglected case of late nineteenth century transatlantic Whitman-worship by an unusual, if not unique, literary disciple. Dalmon’s identification with Whitman was literary, political, and homoerotic, comparable to the cases of more prominent middle- and upper-class British and Irish contemporaries such as Roden Noel, John Addington Symonds, Edward Carpenter, and Oscar Wilde. Dalmon is set apart, however, by his thoroughly working-class background. The article discusses the contents of the 1888 letter in the light of what is currently known of Dalmon’s biography, focusing on his efforts to enter London’s literary and artistic milieu in the late 1880s-early 1890s. It shows how Dalmon’s response to Whitman arose from a wholly different set of socio-economic circumstances and with a correspondingly different set of priorities to those of his Whitmanite peers. The article also considers the ostensive products of Dalmon’s Whitman-worship, two poems published in his debut verse collection, Minutiae (1892): “The Good Grey Poet”, purportedly written at the time of the letter to Whitman; and “Walt Whitman is Dead!” evidently written soon after Whitman’s death in March 1892. The poems are revealed as the work of a rare Whitmanite responding to the intersecting political and homoerotic themes in Leaves of Grass as one of the working-class “comrades” to whom Whitman’s poetry is addressed. 2025-12-11T13:48:00Z info:eu-repo/semantics/article 42 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33796 https://doi.org/10.17077/0737-0679.33796 https://pubs.lib.uiowa.edu/wwqr/article/id/33796/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 161-184

oai:wwqr:id:33913 2025-12-11T13:45:00Z

Postscripts from Whitman: On the Queer Affordances of Paratexts Postscripts from Whitman: On the Queer Affordances of Paratexts Joseph, Nick This essay examines Walt Whitman’s distinctive use of postscripts, a genre that virtually no critical work has focused on at length. Despite and because of their relatively subordinate and surreptitious position within their respective texts, postscripts–along with similarly “subterranean” paratextual genres such as footnotes–harbor unique rhetorical and generic affordances. I argue that Whitman and a variety of other nineteenth-century authors who would today be read as queer often turned to these seemingly minor and marginal spaces in order to express, conceal, and interrogate aspects of their sexual identities. For instance, postscripts afforded their authors an air of nonchalance and spontaneity that made it possible to smuggle in material that might otherwise fall outside the norms of nineteenth-century correspondence. Further, the addition of postscripts and other surrounding materials created a kind of prolonging or dilating effect, whereby writer and reader could linger over the sensuous materiality of the letter’s “body,” as a kind of stand-in for the beloved’s body. Finally, the unusually intimate and immediate space of the postscript provided an important stage for performances of “closetedness” and “coming out”–even if such performances were at times only legible to queer audiences. In emphasizing the rhetorical and aesthetic work performed by paratextuality, I follow the lead of recent scholarship in media studies, where critics have shown how paratexts can function as literally “marginal” spaces in which to present, perform, and protect marginalized or otherwise silenced identities. The essay’s first section situates Whitman's “philosophy of correspondence” both within and against the literary and sexual norms of “the postal age,” demonstrating along the way how postscripts by Melville, Poe, Lincoln, and Dickinson similarly challenged normative epistolary conventions. The second section analyzes Whitman's postscripts in depth, considering correspondence he exchanged with Anne Gilchrist, John Addington Symonds, and a variety of the poet’s young lovers. Engaging in detailed discussion of Whitman's poetry and recent Whitman scholarship throughout, the essay ultimately argues for the distinctive role that postscripts play within nineteenth-century archives in general and Whiman’s queer archive in particular. 2025-12-11T13:45:00Z info:eu-repo/semantics/article 42 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33913 https://doi.org/10.17077/0737-0679.33913 https://pubs.lib.uiowa.edu/wwqr/article/id/33913/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 132-160

oai:wwqr:id:34996 2025-12-11T13:40:00Z

Editorial Introduction: Whitman and Correspondence Editorial Introduction: Whitman and Correspondence Schöberlein, Stefan Folsom, Ed Editorial Introduction: Whitman and Correspondence 2025-12-11T13:40:00Z info:eu-repo/semantics/article 42 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.34996 https://doi.org/10.17077/0737-0679.34996 https://pubs.lib.uiowa.edu/wwqr/article/id/34996/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 130-131

oai:wwqr:id:33969 2025-05-09T11:00:00Z

Allen Crawford Image Gallery Allen Crawford Image Gallery Folsom, Ed Craig, Sophia A gallery of images from Allen Crawford's Whitman Illuminated Collection, courtesy of Cataloging, Metadata, & Digitization and Special Collections and Archives, University of Iowa Libraries. 2025-05-09T11:00:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33969 https://doi.org/10.17077/0737-0679.33969 https://pubs.lib.uiowa.edu/wwqr/article/id/33969/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 54-94

oai:wwqr:id:33967 2025-05-09T11:00:00Z

Filaments of Word and Image: A Fragmented Reflection on Allen Crawford’s Whitman Illuminated: Song of Myself Filaments of Word and Image: A Fragmented Reflection on Allen Crawford’s Whitman Illuminated: Song of Myself Moe, Aaron M. A fragmented reflection on the engagement with and teaching of Allen Crawford’s Whitman Illuminated. Necessarily so. As Whitman stated, "There can be no theory of any account unless it corroborate the theory of the earth." If I were to set forth a reflection upon the Earth, it would involve a series of fragmented glimpses from the atom (and smaller) all the way up. That is, I’d attend to several parts pointing toward their relationship to the whole. The challenge, of course, is that every part is its own universe unto itself; one could spend a lifetime and never move from the atom to the molecule. A reflection on Allen Crawford's Whitman Illuminated: Song of Myself is an equally daunting task. Every detail of every illumination is its own part. Often, these parts correspond to phrases from Whitman's poem in surprising ways. And as each phrase, word, and sound from Whitman is its own universe, the complexity of relationships compound with a vertiginous velocity. And so, with every figure and passage I include in this reflection, I provide discussion, but 22 years of teaching has shown me that the discussion is woefully incomplete. I have spent over an hour with students their corresponding text, not unlike a cellular biologist who spends just as much time exploring the mitochondria with students. Here, I deemed it best to include multiple illuminations to better give a sense of the whole. Concerning wholes, the parts of this reflection cohere toward what Whitman may have meant by "original energy," toward Eros, and toward the poiesis of the ever reaching tirelessly spinning words and images launched forth by Whitman and Crawford. 2025-05-09T11:00:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33967 https://doi.org/10.17077/0737-0679.33967 https://pubs.lib.uiowa.edu/wwqr/article/id/33967/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 31-53

oai:wwqr:id:33968 2025-05-09T11:00:00Z

Walt Whitman: A Current Bibliography, Summer/Fall 2024 Walt Whitman: A Current Bibliography, Summer/Fall 2024 Folsom, Ed Walt Whitman: A Current Bibliography, Summer/Fall 2024. 2025-05-09T11:00:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33968 https://doi.org/10.17077/0737-0679.33968 https://pubs.lib.uiowa.edu/wwqr/article/id/33968/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 119-129

oai:wwqr:id:33937 2025-05-09T10:45:00Z

Dara Barnat. Walt Whitman and the Making of Jewish American Poetry. Dara Barnat. Walt Whitman and the Making of Jewish American Poetry. Raz, Yosefa Review of Dara Barnat. Walt Whitman and the Making of Jewish American Poetry. Iowa City: University of Iowa Press, 2023. 202 pp. 2025-05-09T10:45:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33937 https://doi.org/10.17077/0737-0679.33937 https://pubs.lib.uiowa.edu/wwqr/article/id/33937/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 108-112

oai:wwqr:id:33921 2025-05-09T10:45:00Z

Delphine Rumeau. Comrade Whitman: From Russian to Internationalist Icon. Delphine Rumeau. Comrade Whitman: From Russian to Internationalist Icon. Barnat, Dara Review of Delphine Rumeau. Comrade Whitman: From Russian to Internationalist Icon. Academic Studies Press, 2024. 376 pp. 2025-05-09T10:45:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33921 https://doi.org/10.17077/0737-0679.33921 https://pubs.lib.uiowa.edu/wwqr/article/id/33921/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 104-107

oai:wwqr:id:33918 2025-05-09T10:45:00Z

F. W. Dobbs-Allsopp. Divine Style: Walt Whitman and the King James Bible. F. W. Dobbs-Allsopp. Divine Style: Walt Whitman and the King James Bible. Whitley, Edward Review of F. W. Dobbs-Allsopp. Divine Style: Walt Whitman and the King James Bible. Cambridge, U.K.: Open Book Publishers, 2024. xxiii + 386 pp. Available to read and download online at openbookpublishers.com. 2025-05-09T10:45:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33918 https://doi.org/10.17077/0737-0679.33918 https://pubs.lib.uiowa.edu/wwqr/article/id/33918/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 113-118

oai:wwqr:id:33920 2025-05-09T10:45:00Z

Walt Whitman on Fire: Brian Selznick's Live Oak, With Moss. Walt Whitman on Fire: Brian Selznick's Live Oak, With Moss. Magavern, Sam Review of Brian Selznick's Live Oak, With Moss. Abrams ComicArts, 2019. 192 pp. 2025-05-09T10:45:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33920 https://doi.org/10.17077/0737-0679.33920 https://pubs.lib.uiowa.edu/wwqr/article/id/33920/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 95-103

oai:wwqr:id:33966 2025-05-09T10:45:00Z

Whitman in Art: The Case of Paul Peter Piech Whitman in Art: The Case of Paul Peter Piech Thomas, M Wynn Over thirty years ago, I readily accepted an invitation from Paul Piech (1920-1996)and duly made my way to a small bungalow on an estate on the outskirts of Porthcawl. His interest in Whitman, he explained, dated all the way back to his youth, and originally owed something to the fact that he himself was not only a New Yorker but a Brooklyn boy, whose working-class background chimed with that of Whitman, as did the values he had imbibed from that background broadly correspond to those he felt he encountered in the poet’s work. As an artist, his specialty was linocuts and, realizing that 1992 would mark the centenary of Whitman’s death, he was engaged in an ambitious project to produce a series of images to mark that occasion. Since Piech’s aims as an artist were, like Whitman’s, crusading ones, his only concern was that his images reach as wide an audience as possible, so that they could do their work. To this end, he insisted that should his prints be framed, those should be cheap to maximize circulation. When I happened to mention I was due to return to Harvard as Visiting Professor in the autumn of 1991, his eyes immediately lit up. “I’ll give you a set of my Whitman prints for distribution over there,” he exclaimed. “But what should I charge for them?” I cautiously asked. “Nothing,” he replied. “Just give them to the kids.” He was as good as his word. When I did duly arrive in Harvard, I found a generous selection of his prints awaiting me—sent entirely at his own expense. And give them to the kids of course I did, little realizing that some of Piech’s prints were so highly valued that they were held at the prestigious Victoria and Albert Museum in London. The eminent Victoria and Albert Museum in London owns 2,000 of his prints and in 2016 it published a fascinating monograph of him. Today a print fetches some $600: Paul Piech would be at once amused and appalled. 2025-05-09T10:45:00Z info:eu-repo/semantics/article 42 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33966 https://doi.org/10.17077/0737-0679.33966 https://pubs.lib.uiowa.edu/wwqr/article/id/33966/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1-30

oai:wwqr:id:33879 2024-11-19T11:05:00Z

Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 3/4 Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 3/4 Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 3/4 2024-11-19T11:05:00Z info:eu-repo/semantics/article 41 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33879 https://doi.org/10.17077/0737-0679.33879 https://pubs.lib.uiowa.edu/wwqr/article/id/33879/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:33877 2024-11-19T10:30:00Z

Walt Whitman: A Current Bibliography, Winter/Spring 2024 Walt Whitman: A Current Bibliography, Winter/Spring 2024 Folsom, Ed Walt Whitman: A Current Bibliography, Winter/Spring 2024 2024-11-19T10:30:00Z info:eu-repo/semantics/article 41 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33877 https://doi.org/10.17077/0737-0679.33877 https://pubs.lib.uiowa.edu/wwqr/article/id/33877/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 109-125

oai:wwqr:id:33876 2024-11-19T10:25:00Z

Whitman's Fourth Known Self-Review of Leaves of Grass (1855) Whitman's Fourth Known Self-Review of Leaves of Grass (1855) Turpin, Zachary Unknown to scholars of Whitman, a fourth self-review of Whitman's first edition Leaves of Grass has been hiding in newsprint since 1855. This short piece, published in August 1855, not only provides another early glimpse of Whitman’s views of his own poetry and its need for public curation, but also hints at previously unknown journalistic writing or editorial work Whitman may have produced during this period. This self-review, titled “A Poet Showing the New York Muscle,” made its original appearance in the New York Sunday Dispatch, a literary weekly, for August 26, 1855, page 4. It is reprinted here for the first time since 1855, and finally under the poet’s own name. 2024-11-19T10:25:00Z info:eu-repo/semantics/article 41 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33876 https://doi.org/10.17077/0737-0679.33876 https://pubs.lib.uiowa.edu/wwqr/article/id/33876/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 96-108

oai:wwqr:id:31876 2024-11-19T10:25:00Z

"Whoever You Are, We Too Lie in Drifts at Your Feet": Walt Whitman's Mystic Self in Jorie Graham's Water Poetry "Whoever You Are, We Too Lie in Drifts at Your Feet": Walt Whitman's Mystic Self in Jorie Graham's Water Poetry Penn, Vicky This essay traces Whitman’s transcendental legacy as a mystic interlocutor between the divine and the eternal Universal Being and its reception in contemporary ecopoetic water poetry. This close study of “Crossing Brooklyn Ferry” and “As I Ebb’d with the Ocean of Life" charts Whitman’s move away from viewing nature as a resource for human domination and exploitation towards a sense of our interconnectedness within nature as part of this Universal Being. Comparing Whitman’s transcendentalist American poetry with Graham’s contemporary ecopoetry, this essay examines how the different historical contexts of frontier expansion (Whitman) and erasure caused by the late-stage climate disaster (Graham) exert their different influences on the mystic, transcendental speakers of these poems. Consulting Graham’s “The Wake Off the Ferry” and “Ebbtide” in answer to Whitman’s poems, it explores how the climate crisis negates the possibility of eternity or any assurance of our value or place within the divine or eternal, and instead offers only the certainty of the moment, before that too begins to crumble. 2024-11-19T10:25:00Z info:eu-repo/semantics/article 41 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31876 https://doi.org/10.17077/0737-0679.31876 https://pubs.lib.uiowa.edu/wwqr/article/id/31876/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 67-95

oai:wwqr:id:33878 2024-11-19T10:10:00Z

Front Matter, Walt Whitman Quarterly Review, vol. 41, no. 3/4 Front Matter, Walt Whitman Quarterly Review, vol. 41, no. 3/4 Front Matter, Walt Whitman Quarterly Review, vol. 41, no. 3/4 2024-11-19T10:10:00Z info:eu-repo/semantics/article 41 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33878 https://doi.org/10.17077/0737-0679.33878 https://pubs.lib.uiowa.edu/wwqr/article/id/33878/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:33671 2024-04-05T14:00:00Z

An Undetected Echo of Tennyson's "Ulysses" in Walt Whitman's "Leaves of Grass" An Undetected Echo of Tennyson's "Ulysses" in Walt Whitman's "Leaves of Grass" Bertman, Stephen Samuel This discovery article explores the previously unrecognized semantic resonance between the concluding verses of Alfred Lord Tennyson's poem "Ulysses" and Walt Whitman's poem "The Untold Want." The English and American poets were not only contemporaries but also friends who admired each other's work and corresponded over the course of two decades. In pursuing a daring Ulysses-like voyage "to seek and find," Whitman was paying tribute to his fellow poet's questing spirit.  2024-04-05T14:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33671 https://doi.org/10.17077/0737-0679.33671 https://pubs.lib.uiowa.edu/wwqr/article/id/33671/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 35-36

oai:wwqr:id:32146 2024-04-05T14:00:00Z

“Building the House that Serves Him Longer”: A History of Walt Whitman's Tomb “Building the House that Serves Him Longer”: A History of Walt Whitman's Tomb Mullins, Maire In letters and conversations with friends and acquaintances, Whitman's ideas about his "burial house" gradually took shape over the four years prior to his death in March 1892. The completion of Whitman's tomb represented the culmination of a complicated series of decisions. While the location of Whitman's tomb, its design, and its cost are topics that have received various critical and biographical interpretations, this essay includes recently uncovered materials that provide a clearer understanding of the process that unfolded in the years prior to Whitman's death regarding his tomb.  2024-04-05T14:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.32146 https://doi.org/10.17077/0737-0679.32146 https://pubs.lib.uiowa.edu/wwqr/article/id/32146/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1-34

oai:wwqr:id:31970 2024-04-05T14:00:00Z

Fellowship Dinners and The Armory Show Fellowship Dinners and The Armory Show Tye, Nathan This essay contextualizes and analyzes two previously unrecorded letters from the artist Robert Henri to Horace Traubel. Dating to 1909 and 1913, they broaden what is known about Henri’s relationship with both Whitman and Traubel’s Whitman Fellowship, as well as Traubel’s response to modern art. Building on the work of Ruth Bohan, this essay forwards new insights into Henri’s relationship with Traubel and expands our understanding of Whitman’s influence on Henri’s teaching. Henri was devoted to Whitman. Knowing this, Horace Traubel hoped to bring Henri further into the fellowship Dinners, but this essay finds Henri repeatedly declined to attend and speak and used his classroom instead as the outlet for his Whitman lectures. 2024-04-05T14:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31970 https://doi.org/10.17077/0737-0679.31970 https://pubs.lib.uiowa.edu/wwqr/article/id/31970/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 37-46

oai:wwqr:id:33786 2024-04-05T14:00:00Z

Walt Whitman: A Current Bibliography, Summer/Fall 2023 Walt Whitman: A Current Bibliography, Summer/Fall 2023 Folsom, Ed Walt Whitman: A Current Bibliography, Summer/Fall 2023 2024-04-05T14:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33786 https://doi.org/10.17077/0737-0679.33786 https://pubs.lib.uiowa.edu/wwqr/article/id/33786/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 55-66

oai:wwqr:id:33782 2024-04-05T14:00:00Z

Walt Whitman. Leaves of Grass / Grashalme: Zweisprachige Fassung der Erstausgabe von 1855 Walt Whitman. Leaves of Grass / Grashalme: Zweisprachige Fassung der Erstausgabe von 1855 Schöberlein, Stefan Walt Whitman. Leaves of Grass / Grashalme: Zweisprachige Fassung der Erstausgabe von 1855. Translated by Walter Grünzweig and a team of translators at TU Dortmund University. Aachen: Rimbaud, 2022. 226 pp. 2024-04-05T14:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33782 https://doi.org/10.17077/0737-0679.33782 https://pubs.lib.uiowa.edu/wwqr/article/id/33782/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 52-54

oai:wwqr:id:33781 2024-04-05T14:00:00Z

Walt Whitman. Specimen Days. ed. Max Cavitch Walt Whitman. Specimen Days. ed. Max Cavitch Folsom, Ed Walt Whitman. Specimen Days. Ed. Max Cavitch. New York: Oxford University Press, 2023. Oxford WorldClassics. xlx + 286 pp. 2024-04-05T14:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33781 https://doi.org/10.17077/0737-0679.33781 https://pubs.lib.uiowa.edu/wwqr/article/id/33781/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 47-51

oai:wwqr:id:33785 2024-04-05T00:00:00Z

Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2 Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2 Back Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2. 2024-04-05T00:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33785 https://doi.org/10.17077/0737-0679.33785 https://pubs.lib.uiowa.edu/wwqr/article/id/33785/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:33784 2024-04-05T00:00:00Z

Front Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2 Front Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2 Front Matter, Walt Whitman Quarterly Review, vol. 41, no. 1/2. 2024-04-05T00:00:00Z info:eu-repo/semantics/article 41 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.33784 https://doi.org/10.17077/0737-0679.33784 https://pubs.lib.uiowa.edu/wwqr/article/id/33784/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:31843 2023-09-22T12:15:00Z

A Long-Lost Eagle Article Puts Walt and Jeff on the Map A Long-Lost Eagle Article Puts Walt and Jeff on the Map Kapp, Amy This discovery article sheds new light on the extent of Walt Whitman's continued involvement with the Brooklyn Daily Eagle in the late 1850s.  It discusses the thematic and stylistic similarities between a newly discovered piece on the Brooklyn waterworks and other Walt Whitman works. It also raises several questions regarding previously accepted ideas about Walt Whitman's journalism. 2023-09-22T12:15:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31843 https://doi.org/10.17077/0737-0679.31843 https://pubs.lib.uiowa.edu/wwqr/article/id/31843/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 140-149

oai:wwqr:id:31813 2023-09-22T12:15:00Z

“A Singing Walt from the Mower”: Dylan Thomas and the “Whitmanian [Re]turn” in the Post-War Poetic Culture of the States “A Singing Walt from the Mower”: Dylan Thomas and the “Whitmanian [Re]turn” in the Post-War Poetic Culture of the States Thomas, M. Wynn This essay explores the remarkable impact of Dylan Thomas's readings on the poetic culture of the post-war USA. It argues that this contributed to the "Whitmanian turn" taken by that culture from that point onwards. 2023-09-22T12:15:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31813 https://doi.org/10.17077/0737-0679.31813 https://pubs.lib.uiowa.edu/wwqr/article/id/31813/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 95-126

oai:wwqr:id:31863 2023-09-22T12:15:00Z

“If you call on me I will tell you what I know of Walt”: Unrecorded Assessment of Walter and Walt Whitman by William Booth, Brooklyn Carpenter “If you call on me I will tell you what I know of Walt”: Unrecorded Assessment of Walter and Walt Whitman by William Booth, Brooklyn Carpenter Tye, Nathan This note examines a previously unrecorded 1904 letter by a Brooklyn carpenter, William C. Booth, in which he provides his assessment of Walter and Walt Whitman. It excavates the contexts and contents of the letter and makes a case for its relevance to our biographical understanding of the poet and his father. 2023-09-22T12:15:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31863 https://doi.org/10.17077/0737-0679.31863 https://pubs.lib.uiowa.edu/wwqr/article/id/31863/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 127-139

oai:wwqr:id:32137 2023-09-22T12:15:00Z

Susan Jaffe Tane and Karen Karbiener. Poet of the Body: New York’s Walt Whitman. Susan Jaffe Tane and Karen Karbiener. Poet of the Body: New York’s Walt Whitman. O'Neil, Brandon James Susan Jaffe Tane and Karen Karbiener. Poet of the Body: New York’s Walt Whitman—An exhibition based on the Walt Whitman Collection of Susan Jaffe Tane on the occasion of the Bicentennial Anniversary of Whitman’s Birthday. New York: The Grolier Club, 2019. 218 pp. 2023-09-22T12:15:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.32137 https://doi.org/10.17077/0737-0679.32137 https://pubs.lib.uiowa.edu/wwqr/article/id/32137/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 150-153

oai:wwqr:id:32136 2023-09-22T12:15:00Z

Walt Whitman: A Current Bibliography, Winter/Spring 2023 Walt Whitman: A Current Bibliography, Winter/Spring 2023 Folsom, Ed Walt Whitman: A Current Bibliography, Winter/Spring 2023 2023-09-22T12:15:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.32136 https://doi.org/10.17077/0737-0679.32136 https://pubs.lib.uiowa.edu/wwqr/article/id/32136/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 154-161

oai:wwqr:id:32142 2023-09-22T00:00:00Z

Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4 Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4 Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4. 2023-09-22T00:00:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.32142 https://doi.org/10.17077/0737-0679.32142 https://pubs.lib.uiowa.edu/wwqr/article/id/32142/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:32141 2023-09-22T00:00:00Z

Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4 Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4 Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 3/4. 2023-09-22T00:00:00Z info:eu-repo/semantics/article 40 3/4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.32141 https://doi.org/10.17077/0737-0679.32141 https://pubs.lib.uiowa.edu/wwqr/article/id/32141/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:31915 2023-04-21T14:00:00Z

Maire Mullins, ed. Hannah Whitman Heyde: The Complete Correspondence Maire Mullins, ed. Hannah Whitman Heyde: The Complete Correspondence Eiselein, Gregory Maire Mullins, ed. Hannah Whitman Heyde: The Complete Correspondence. Lewisburg, PA: Bucknell University Press, 2022. Xviii + 208 pp. 2023-04-21T14:00:00Z info:eu-repo/semantics/article 40 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31915 https://doi.org/10.17077/0737-0679.31915 https://pubs.lib.uiowa.edu/wwqr/article/id/31915/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 84-87

oai:wwqr:id:31735 2023-04-21T14:00:00Z

Two Resplendent Suns: Dante Alighieri and Walt Whitman Two Resplendent Suns: Dante Alighieri and Walt Whitman Schmidgall, Gary This essay presents an overview of the similarities in career-arc/autobiography, aesthetic, philosophical, and political views of Dante Alighieri (1265-1321) and Walt Whitman, focusing largely in their respective masterpieces the Comedy  and Leaves of Grass. 2023-04-21T14:00:00Z info:eu-repo/semantics/article 40 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31735 https://doi.org/10.17077/0737-0679.31735 https://pubs.lib.uiowa.edu/wwqr/article/id/31735/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1-83

oai:wwqr:id:31914 2023-04-21T14:00:00Z

Walt Whitman: A Current Bibliography, Summer/Fall 2022 Walt Whitman: A Current Bibliography, Summer/Fall 2022 Folsom, Ed Walt Whitman: A Current Bibliography, Summer/Fall 2022. 2023-04-21T14:00:00Z info:eu-repo/semantics/article 40 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31914 https://doi.org/10.17077/0737-0679.31914 https://pubs.lib.uiowa.edu/wwqr/article/id/31914/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 88-94

oai:wwqr:id:31916 2023-04-21T00:00:00Z

Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2 Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2 Back Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2. 2023-04-21T00:00:00Z info:eu-repo/semantics/article 40 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31916 https://doi.org/10.17077/0737-0679.31916 https://pubs.lib.uiowa.edu/wwqr/article/id/31916/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:31911 2023-04-21T00:00:00Z

Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2 Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2 Front Matter, Walt Whitman Quarterly Review, vol. 40, no. 1/2. 2023-04-21T00:00:00Z info:eu-repo/semantics/article 40 1/2 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31911 https://doi.org/10.17077/0737-0679.31911 https://pubs.lib.uiowa.edu/wwqr/article/id/31911/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 1

oai:wwqr:id:31458 2022-07-07T17:05:00Z

In Memoriam: Joel Myerson (1945-2021) In Memoriam: Joel Myerson (1945-2021) Greenspan, Ezra In Memoriam: Joel Myerson (1945-2021). 2022-07-07T17:05:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31458 https://doi.org/10.17077/0737-0679.31458 https://pubs.lib.uiowa.edu/wwqr/article/id/31458/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 239-240

oai:wwqr:id:31457 2022-07-07T17:05:00Z

Walt Whitman: A Current Bibliography, Spring 2022 Walt Whitman: A Current Bibliography, Spring 2022 Folsom, Ed Walt Whitman: A Current Bibliography, Spring 2022. 2022-07-07T17:05:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31457 https://doi.org/10.17077/0737-0679.31457 https://pubs.lib.uiowa.edu/wwqr/article/id/31457/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 230-238

oai:wwqr:id:31463 2022-07-07T17:00:00Z

Stefan Schöberlein, ed. Walt Whitman’s New Orleans: Sidewalk Sketches and Newspaper Rambles. Stefan Schöberlein, ed. Walt Whitman’s New Orleans: Sidewalk Sketches and Newspaper Rambles. Johnson, T. R. A review of Stefan Schöberlein, ed., Walt Whitman’s New Orleans: Sidewalk Sketches and Newspaper Rambles. 2022-07-07T17:00:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31463 https://doi.org/10.17077/0737-0679.31463 https://pubs.lib.uiowa.edu/wwqr/article/id/31463/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 227-229

oai:wwqr:id:31462 2022-07-07T16:55:00Z

Caterina Bernardini. Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945. Caterina Bernardini. Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945. Valentino, Russell Scott A review of Caterina Bernardini, Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945. 2022-07-07T16:55:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31462 https://doi.org/10.17077/0737-0679.31462 https://pubs.lib.uiowa.edu/wwqr/article/id/31462/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 224-226

oai:wwqr:id:31461 2022-07-07T16:50:00Z

Nicole Gray, ed. Leaves of Grass (1855) Variorum. Nicole Gray, ed. Leaves of Grass (1855) Variorum. Whitley, Edward A review of Nicole Gray, ed. Leaves of Grass (1855) Variorum. 2022-07-07T16:50:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31461 https://doi.org/10.17077/0737-0679.31461 https://pubs.lib.uiowa.edu/wwqr/article/id/31461/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 219-224

oai:wwqr:id:31460 2022-07-07T16:45:00Z

Morton Schoolman. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics. Morton Schoolman. A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics. Seery, John E. A review of Morton Schoolman, A Democratic Enlightenment: The Reconciliation Image, Aesthetic Education, Possible Politics. 2022-07-07T16:45:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31460 https://doi.org/10.17077/0737-0679.31460 https://pubs.lib.uiowa.edu/wwqr/article/id/31460/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 216-219

oai:wwqr:id:31399 2022-07-07T16:35:00Z

Kenneth M. Price. Whitman in Washington: Becoming the National Poet. Kenneth M. Price. Whitman in Washington: Becoming the National Poet. Buinicki, Martin T. A review of Kenneth M. Price's Whitman in Washington: Becoming the National Poet in the Federal City. 2022-07-07T16:35:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31399 https://doi.org/10.17077/0737-0679.31399 https://pubs.lib.uiowa.edu/wwqr/article/id/31399/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 213-216

oai:wwqr:id:31078 2022-07-07T16:00:00Z

"The Indications" (1857): An Early Whitman Imitation "The Indications" (1857): An Early Whitman Imitation Turpin, Zachary Discusses a previously unknown non-parodic Whitman imitation that pre-dates Adah Isaac Menken's Infelicia (1868). Titled "The Indications," this poem appeared in the June 3, 1857, issue of Life Illustrated magazine (New York: Fowler and Wells). 2022-07-07T16:00:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31078 https://doi.org/10.17077/0737-0679.31078 https://pubs.lib.uiowa.edu/wwqr/article/id/31078/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 209-212

oai:wwqr:id:31076 2022-07-07T15:35:00Z

Walt Whitman, Editor at the New-York Atlas Walt Whitman, Editor at the New-York Atlas Schöberlein, Stefan Blalock, Stephanie M. McMullen, Kevin Stacy, Jason The Walt Whitman Archive journalism grant team introduces a new discovery and proposes a new theory of Whitman as an editor at the New-York Atlas. 2022-07-07T15:35:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31076 https://doi.org/10.17077/0737-0679.31076 https://pubs.lib.uiowa.edu/wwqr/article/id/31076/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 189-204

oai:wwqr:id:31103 2022-07-07T15:25:00Z

“The Battle Trumpet Blown!” : Whitman’s Persian Imitations in Drum-Taps “The Battle Trumpet Blown!” : Whitman’s Persian Imitations in Drum-Taps Sedarat, Roger While Walt Whitman’s thematic use of the Orient continues to receive critical attention based on his explicit foreign references, aside from observations of specific Persian signifiers in “A Persian Lesson,” his engagement with the poetry of Iran has remained especially speculative and therefore analogical, with studies like J. R. LeMaster and Sabahat Jahan’s Walt Whitman and the Persian Poets showing how his mystical relation to his own religious influences tends to resemble the Sufism of Rumi and Hafez. A new discovery emerging from an examination of his personal copy of William Alger’s The Poetry of the East along with his reading of Emerson’s essay “Persian Poetry,” however, reveal a rather subtle yet sustained attempt to directly imitate the foreign verse throughout much of Drum-Taps. That his reliance upon identifiable foreign models to depict what he deemed his nation’s most significant historical moment further coincides with a dramatic shift in style of writing calls for closer comparative analysis of how and why he came to mimic translations of this poetry. Such a reading suggests that compared with previous Orientalist studies, Whitman appears even more personally invested in Persian verse, using it to surrender the distinct Romantic individuality of his earlier poems for the greater spiritual preservation of his conflicted nation. 2022-07-07T15:25:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31103 https://doi.org/10.17077/0737-0679.31103 https://pubs.lib.uiowa.edu/wwqr/article/id/31103/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 163-188

oai:wwqr:id:31492 2022-07-07T00:00:00Z

Appendix: Athletic Men Wanted—An Article for the Old and Young, for Doctors, Teachers, &c Appendix: Athletic Men Wanted—An Article for the Old and Young, for Doctors, Teachers, &c Appendix to "Walt Whitman, Editor at the New-York Atlas" (pp. 189-208). 2022-07-07T00:00:00Z info:eu-repo/semantics/article 39 4 University of Iowa Walt Whitman Quarterly Review 10.17077/0737-0679.31492 https://doi.org/10.17077/0737-0679.31492 https://pubs.lib.uiowa.edu/wwqr/article/id/31492/ 2153-3695 http://rightsstatements.org/vocab/InC/1.0/ 205-208 metadataPrefix%3Doai_dc%26page%3D2