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Volume 40 • Issue 2 • 2010 • Fall

Front Matter


Front Matter, The Iowa Review, v.40 no.2, Fall, 2010

    Volume 40 • Issue 2 • 2010 • Fall

    Contents


    Editor's Note

    • Russell Scott Valentino

    Volume 40 • Issue 2 • 2010 • Fall • 1–1

    Services Pending

    • Susan McCarty

    Volume 40 • Issue 2 • 2010 • Fall • 2–13

    The Dog

    • Lydia Davis

    Volume 40 • Issue 2 • 2010 • Fall • 14–14

    The Grandmother

    • Lydia Davis

    Volume 40 • Issue 2 • 2010 • Fall • 15–15

    The Child

    • Lydia Davis

    Volume 40 • Issue 2 • 2010 • Fall • 16–16

    Ambien

    • Geoffrey G. O'brien

    Volume 40 • Issue 2 • 2010 • Fall • 17–17

    Failed Catalog

    • Geoffrey G. O'brien

    Volume 40 • Issue 2 • 2010 • Fall • 18–19

    Street Cry

    • Geoffrey G. O'brien

    Volume 40 • Issue 2 • 2010 • Fall • 20–21

    The Rumored Existence Of Other People

    • Timothy Donnelly

    Volume 40 • Issue 2 • 2010 • Fall • 22–25

    Dream Of The Overlook

    • Timothy Donnelly

    Volume 40 • Issue 2 • 2010 • Fall • 26–29

    The Rich Are Emotional

    • Josef Kaplan

    Volume 40 • Issue 2 • 2010 • Fall • 30–30

    Mass Petting

    • Josef Kaplan

    Volume 40 • Issue 2 • 2010 • Fall • 31–31

    Purvis: Part Two Of Three

    • Denis Johnson

    Volume 40 • Issue 2 • 2010 • Fall • 32–75

    Rabble Letters

    • Saint James Harris Wood

    Volume 40 • Issue 2 • 2010 • Fall • 76–85

    Augury

    • Lia Purpura

    Volume 40 • Issue 2 • 2010 • Fall • 86–87

    Benny

    • Daniel Gutstein

    Volume 40 • Issue 2 • 2010 • Fall • 88–89

    Knock Knock

    • Brock Clarke

    Volume 40 • Issue 2 • 2010 • Fall • 90–94

    From "voyager"

    • Srikanth Reddy

    Volume 40 • Issue 2 • 2010 • Fall • 95–107

    From "aerial Roots"

    • Craig Santos Perez

    Volume 40 • Issue 2 • 2010 • Fall • 108–112

    Ginen "aerial Roots"

    • Craig Santos Perez

    Volume 40 • Issue 2 • 2010 • Fall • 113–113

    From "descripción De La Mentira"

    • Antonio Gamoneda

    Volume 40 • Issue 2 • 2010 • Fall • 114–117

    From "de Una Niña De Provincias Que Se Vino A Vivir En Un Chagall"

    • Blanca Andreu
    • Sara Gilmore

    Volume 40 • Issue 2 • 2010 • Fall • 118–124

    Vacuuming The Whole House And Where Do We Go Now: A Conversation With Joshua Ferris

    • Tara Atkinson
    • Joshua Ferris

    Volume 40 • Issue 2 • 2010 • Fall • 125–131

    Romance In Barcelona

    • Chavawn Kelley

    Volume 40 • Issue 2 • 2010 • Fall • 132–135

    A Net In Which

    • Alan Felsenthal

    Volume 40 • Issue 2 • 2010 • Fall • 136–136

    A Point In

    • Alan Felsenthal

    Volume 40 • Issue 2 • 2010 • Fall • 137–137

    There "is" A Birdsong At The Root Of Poetry

    • Jennifer Moxley

    Volume 40 • Issue 2 • 2010 • Fall • 138–140

    Lullaby

    • Jennifer Moxley

    Volume 40 • Issue 2 • 2010 • Fall • 141–142

    Feeling A Feeling

    • Andy Carter

    Volume 40 • Issue 2 • 2010 • Fall • 143–143

    Immense Breast Of The Huge Sea (1920)

    • Andy Carter

    Volume 40 • Issue 2 • 2010 • Fall • 144–145

    Pure Gold Of Intense Manhood (1935)

    • Andy Carter

    Volume 40 • Issue 2 • 2010 • Fall • 146–146

    The Rubber-band Gun

    • Benjamin Percy

    Volume 40 • Issue 2 • 2010 • Fall • 147–148

    The Guy We Didn't Invite To The Orgy

    • David Harris Ebenbach

    Volume 40 • Issue 2 • 2010 • Fall • 149–151

    The Art Of War

    • Youval Shimoni
    • Dalya Bilu

    Volume 40 • Issue 2 • 2010 • Fall • 152–176

    Lee Miller Photographs Amelia Earhart After She's Disappeared

    • Elizabeth Robinson

    Volume 40 • Issue 2 • 2010 • Fall • 177–178

    Roald Dahl Touches Jessica Mitford On The Arm

    • Elizabeth Robinson

    Volume 40 • Issue 2 • 2010 • Fall • 179–179

    Samuel Beckett Corresponds With Father Damien On Molokai

    • Elizabeth Robinson

    Volume 40 • Issue 2 • 2010 • Fall • 180–181

    David Garnett Ruminates On How One Thing Becomes Another Yet Purports To Stay The Same

    • Elizabeth Robinson

    Volume 40 • Issue 2 • 2010 • Fall • 182–183

    Frida Kahlo's Ghost At The Algonquin Singing Dorothy Parker's "i Don't Care What's Written About Me So Long As It Isn't True" With A Mexican Accent

    • Elizabeth Robinson

    Volume 40 • Issue 2 • 2010 • Fall • 184–184

    Zora Neale Hurston Says, "songs Are Built On The Power To Charm Beneath The Bed-clothes"

    • Elizabeth Robinson

    Volume 40 • Issue 2 • 2010 • Fall • 185–185

    Back Matter


    Notes on contributors and back matter, The Iowa Review, v.40 no.2, Fall, 2010

      Volume 40 • Issue 2 • 2010 • Fall