Volume 18 • Issue 1 • 2018 • Transition/Transgress
Front Matter
Front Matter, Iowa Journal of Cultural Studies, Issue 18, Spring 2018
Volume 18 • Issue 1 • 2018 • Transition/Transgress
Editorial
Articles
Revisionist Spectacle? Theatrical Remediation in Alejandro G. Iñárritu's Birdman and Quentin Tarantino's The Hateful Eight
- Florian Zitzelsberger
- Sarah E. Beyvers
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 3-21
Turning Inward: Using Insight as a Catalyst for Change in "The Corrections"
- Nicholas Manai
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 22-34
Thematic Fields, Transgressive Religion: Disembodiment and the Will to Nothingness in “Safe Haven”
- Adam Lovasz
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 35-54
Review
In the Wake: On Blackness and Being
- Tala Khanmalek
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 55-57
No Tea, No Shade: New Writings in Black Queer Studies
- Susan K Thomas
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 58-61
To Be Part of the Song: Tuning Toward the Right Notes in Sing, Unburied, Sing
- Hannah Bonner
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 67-70
Listening to Label: Analyzing the Problematic Function of Origins in Historical Recording
- Chelsea Adams
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 71-74
Conference Proceeding
The Sea as Respite: Challenging Dispossession and Re-Constructing Identity in the Interesting Narrative of the Life of Olaudah Equiano
- Caitlin Simmons
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 75-80
Reading Characters: Pedagogy of the Person and Victorian Shakespeare in Charlotte Brontë’s Shirley
- Kate Nesbit
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 81-87
“I don’t care, whatever, I’m trans” – Wounds, Wants, and Transgender Fiction
- Evelyn Millard
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 88-94
The Body Plot: Self-Mastery and the Counter Narrative of Gaskell's North and South
- Laura Hayes
Volume 18 • Issue 1 • 2018 • Transition/Transgress • 95-112