Volume 17 • Issue 1 • 2017 • Bridging

Front Matter, Iowa Journal of Cultural Studies, Issue 17, Spring 2017

2017-04-19 Volume 17 • Issue 1 • 2017 • Bridging

Introduction: Bridging

2017-04-19 Volume 17 • Issue 1 • 2017 • Bridging • 1-2

“Rhopographic Photography and Atemporal Cinema: The Link Between Ralph Ellison’s Polaroids and Three Days Before the Shooting…”

Michael Germana

2017-04-19 Volume 17 • Issue 1 • 2017 • Bridging • 3-30

"What alerts, alters": Hacking the Narratives of Cultural Memory with Rankine, Eady, and Philip

Jennifer E Shook

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 31-50

Protesting Too Much: Revealing Repetitions in Barry Hannah’s Interviews

Matthew Blackwell

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 51-53

A Genealogy of Collision: Robyn Schiff’s A Woman of Property

Colleen Morrissey

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 54-58

Interstitial Spaces, Social Collage and The Zimbabwe Cultural Center of Detroit

Lisa Gordillo

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 59-68

16th Annual CRAFT CRITIQUE CULTURE: “Bridging Divides” Interdisciplinary Graduate Student Conference, April 8-9, 2016

Heidi Renee Aijala, Lydia Maunz-Breese and Katherine Nesbit

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 69

Scholarship as Testimony: Jerome McGann’s Keynote Address for the 16th Annual Craft Critique Culture Conference, 2016

Stefan Schöberlein

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 70-72

Literary Technofiles: Replacing Piers of the Past with Bridges to the Future

Gavin Feller

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 73-75

Off the Grid: Zora Neale Hurston’s Racial Geography in Their Eyes Were Watching God

Alex Ashland

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 76-90

Souls All Unaccompanied: Enacting Levinasian Feminine Alterity in Housekeeping

Makayla Steiner

2017-04-01 Volume 17 • Issue 1 • 2017 • Bridging • 91-98