Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania

About the image:

Marcel Janco, Portrait of Tzara (Mask), 1919. © 2015 Artists Rights Society (ARS), New York / ADAGP, Paris. Centre Pompidou, Mnam.

"Reproduction, including downloading of this Janco image is prohibited by copyright laws and international conventions without the express written permission of Artists Rights Society (ARS), New York.

Introduction


Introduction. From Dada to Infra-noir: Dada, Surrealism, and Romania

Monique Yaari and Timothy Shipe

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-2

Theme Essay


Beyond the Avant-Garde: Benjamin Fondane

Monique Jutrin

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-12

Bucharest, Capital of Automatism: The 1940s Surrealist Group

Iulian Toma

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-9

Claude Sernet in the Avant-Garde: Itineraries from Romania to Paris

Michel Gourdet

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-19

Cubomania: Gherasim Luca and Non-Oedipal Collage

Krzysztof Fijalkowski

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-31

Dialectical Despair: Gherasim Luca, Gellu Naum, and the Hazards of a Non-Oedipal Life

Catherine Hansen

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-18

Gellu Naum and his “Beginnings” (Which Are Dead Ends)

Simona Popescu

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-17

Gilles Deleuze/Gherasim Luca: The Paradoxal Encounter between “Anti-Oedipus” and “Non-Oedipus”

Iulian Toma

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-11

Ilarie Voronca and the Romanian Literary Avant-Garde

Ion Pop

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-16

“Lost in Translation”?: Tristan Tzara’s Non-European Side

Cosana Eram

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-26

Paul Păun’s Brevet lovaj: Unpacking the Moment – June 1945

Monique Yaari

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-23

Perahim

Édouard Jaguer

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-13

The Avant-garde as Spontaneous Contagion: The Case of Bucharest

Petre Răileanu

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-40

The Education of Samuel Rosenstock, or, How Tristan Tzara Learned His ABCs

Marius Hentea

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-22

The Manifest Beauty of Dreams: The Surrealist Imaginary in Paul Păun’s Marea palidă

Giovanni Magliocco

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-30

Trost’s Journey from Reality as a Dream to the Dream as Reality

Michael Finkenthal

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-21

Trost’s Librement mécanique: The Surrealist Experience Confronts the ʺWorldʺ

Françoise Nicol

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-18

Urmuz, the Solitary

Simona Popescu

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-3

Victor Brauner’s Writing in/at Work: Dada and Surrealist Inventions of a Picto-poet

Camille Morando

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-29

Document


A Profession of Faith for the Alge Group

Geo Bogza

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-7

Brevet Lovaj (Lovaj Patent)

Paul Păun

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-2

Clarion ("Strigăt")

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-3

Cotadi and Dragomir

Urmuz

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-6

Ocean of Innocence

Virgil Teodorescu

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-5

Selected Texts

Marcel Janco

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-12

Bibliography


Dada, Surrealism, and Romania: A Bibliography

Timothy Shipe

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-23

Additional Essay


Dada Contra Art History

Mark Hutchinson

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-22

“The gold snake / coiled in the sun”: George Hitchcock and Kayak Magazine

Brooks Lampe

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-21

Notes on Contributors


Notes on Contributors

2015-01-01 Volume 20 • 2015 • From Dada to Infra-noir: Dada, Surrealism, and Romania • 1-3